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one can see the hat and clogs of a type of female artist known as tori-oi
confirming how Hokusai consciously breaks perspective in favor of design and motif
- poltrona: fallimento della politica
accentuando l’effetto scenografico e simbolico della composizione
È importante distinguere tra due categorie principali
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 102, 1834 sculture one can see the hatA splendid proof with good contrasts, attributable to the Eirakuya Tshir edition (mid 19th century) from the original blocks of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New York:
