STÉPHANE RIME, NoName (blu, giallo e verde), 2018 sculture - copertone e marmitta: mobilità

- copertone e marmitta: mobilità e trasporti insostenibili

which later became very popular among kimono designers and producers in Kyoto

capable of capturing the energy and decadence of the Belle Époque

he became the official painter of the imperial court

Niki de Saint Phalle & Jean Tinguely Posters

STÉPHANE RIME, NoName (blu, giallo e verde), 2018 sculture - copertone e marmitta: mobilitàNoName literally means "without a name" and aims to evoke all the unknowns, the anonymous, the travelers, the people who come from afar, but also those nearby whom we do not see and remain invisible to our eyes. From the repetition of the word "NoName," which traces random boundaries on the canvas, abstraction is born: colors cross the drawn limits, blend, overflow, and overlap until the originally imagined contours are no longer clearly visible.