Roe Ethridge: Rude in the Good Way Walter Käch oversized silhouette represents their iconic

oversized silhouette represents their iconic pop style

vertical tower-like constructions as well as rafts and other vessels started to emerge while staring out at the cityscape from the large studio windows — an artist turned bored office worker

Artwork features a painting by Daniela Yohannes and design by Maziyar Pahlevan

Stephanie Hessler

and VHS still images

Roe Ethridge: Rude in the Good Way Walter Käch oversized silhouette represents their iconicRude in the Good Way explores desire as both subject and method within Roe Ethridges complex visual bricolage of commercial glamour, errant snapshots, private sexuality and studio play. Working through his characteristically oblique, offhand style, Ethridge lets sexuality, identity, seduction and the camera drift into the same plane, never fully separating one from the other. Loosely woven fugues of images converge, always cheekily winking toward