Lenard Giller: Productions Cornelius de Bill Baboul all in a sequence punctuated

all in a sequence punctuated by vibrant interplays of colour

looks back at a body of work that is as contemporary now as it was when Cooper was experimenting with IBM Selectric typewriters

and possibly prequel) written by ten international Art writers as a reaction to the work of French Artist Boris Achour

Miller’s first major exhibition was the Guggenheim’s Young American Artists: 1978 Exxon National Exhibition (he was the youngest artist ever to present work at the museum)

They are presented not thematically or chronologically but encyclopedically

Lenard Giller: Productions Cornelius de Bill Baboul all in a sequence punctuatedThe structure of a 1982 Cinderella sticker album formed the basis for Lenard Giller's Productions, exploring the tension between mass media, memory, empty frames and fulfilling time. Originally conceived to host 360 stickers as a printed synthesis of its cinematic counterpart, Giller reinterprets its configuration offering a new narrative proposition. In Productions, none of the characters are suitably introduced, confrontations take place without